The question "Who is the main character in Attack on Titan?" is deceptively simple. On the surface, the narrative of Hajime Isayama's epic saga follows Eren Yeager, a boy who vows to eradicate the Titans after they destroy his home and kill his mother. For a significant portion of the story, Eren occupies the central role—the protagonist whose eyes we see through, whose rage we feel, and whose transformation we witness. However, to declare Eren Yeager as the sole main character is to overlook the profound narrative complexity of Attack on Titan. The series evolves into a sprawling, multi-perspective exploration of its world, making the concept of a singular "main character" a central theme in itself. This analysis will argue that while Eren Yeager is the catalytic protagonist, the true narrative core of Attack on Titan is the collective struggle and moral journey of its ensemble cast, with particular focus on Mikasa Ackerman and Armin Arlert as essential counterpoints to Eren's destructive path.
Eren Yeager begins as the archetypal shonen hero, driven by a clear, visceral motivation: freedom and revenge. His possession of the Founding and Attack Titans places him at the epicenter of the plot's conflict. The story's mysteries—the basement, the history of the walls, the truth of the Titans—are unraveled primarily in relation to his lineage and his powers. For the first three seasons, Eren is the engine of the narrative. His development from a hot-headed youth into a strategic asset for humanity, and later into the enigmatic, distant figure he becomes, charts the story's darkest turns. Eren's internal monologue and perspective dominate key moments, and his ultimate decision to initiate the Rumbling cements his role as the most impactful individual actor in the series. He is the protagonist, but the narrative increasingly questions whether he is a hero, a villain, or a tragic figure trapped by a predetermined future and his own unyielding nature.
However, Isayama systematically dismantles the notion of a lone savior. The narrative frequently shifts perspective, dedicating entire arcs to characters like Levi Ackerman, the Survey Corps, and even erstwhile enemies like Reiner Braun and Annie Leonhart. This structural choice reframes the story from "Eren's quest" to "the world's tragedy." Reiner's arc, in particular, provides a mirror to Eren; a warrior burdened by guilt and a fractured identity, showcasing that the "devils of Paradis" are humans with comparable convictions and traumas. Through these shifts, the story argues that every character is the main character of their own story, and that conflict arises from the collision of these subjective, justified realities. The title "Attack on Titan" itself becomes ironic, as the true conflict transitions from humanity versus Titans to human versus human, with Eren eventually becoming the ultimate "Titan" to be confronted.
This ensemble approach is crystallized in the roles of Mikasa Ackerman and Armin Arlert. Mikasa, often defined by her devotion to Eren, possesses her own profound arc about choosing her own path. Her strength is not merely physical but emotional, representing the human capacity for love and protection in a world of cruelty. Armin, the strategist, embodies hope, diplomacy, and the belief in understanding beyond the walls. He is the intellectual and moral counterweight to Eren's brute-force ideology. Where Eren sees the world as a zero-sum battle for freedom that must be won through annihilation, Armin believes in the possibility of peace and connection. Their constant presence positions them not as sidekicks, but as the heart and soul of the narrative, challenging Eren's perspective and ultimately being tasked with stopping him and carrying the world forward after his demise. The final conflict is not merely a physical battle but a philosophical clash between Eren's fatalistic rage and the enduring humanism of his childhood friends.
Ultimately, Attack on Titan masterfully uses its protagonist to explore the dangers of a single narrative. Eren Yeager is the main character whose journey exposes the seductive and catastrophic potential of absolute, unchecked agency. He makes himself the center of the world's story, forcing everyone to react to him. Yet, the narrative's empathy lies with those who resist this singular, destructive focus. The true "main character" becomes the idea of humanity's resilience, the moral burden of survival, and the painful pursuit of understanding in a cycle of hatred. The story concludes not with Eren's victory, but with the surviving ensemble—Mikasa, Armin, Levi, Jean, Connie, Reiner—left to rebuild a broken world, carrying the memories and lessons of the conflict. They represent the fragmented, collective protagonist that must move forward.
In conclusion, while Eren Yeager is the driving force and the most prominent point-of-view character, Attack on Titan transcends the traditional main character framework. It is a story about perspectives. Eren is the catalyst, but the narrative soul resides in the ensemble, particularly in the enduring conflict between Eren's destructive freedom and Armin's hopeful curiosity, with Mikasa's loving strength as the bridge between. To ask "who is the main character?" is to engage with the series' core theme: is history shaped by singular, monumental figures, or by the collective actions, choices, and suffering of countless individuals? Attack on Titan provides a devastatingly complex answer, making its entire world and its inhabitants the true subject of its monumental tale.
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